Black and white portrait of photographer and artist Christian Sanna. © Christian Sanna

Christian Sanna (b.1989, Malagasy-Italian)
Lives and work in Antananarivo, Madagascar

Christian Sanna is an artist whose practice is rooted in photography, yet extends far beyond the traditional frame. With a distinctly poetic and contemplative approach, Sanna explores the complex emotional terrain of human existence through nuanced images that embrace ambiguity, and the intimate rituals of everyday life. His work navigates the porous boundaries between the personal and the collective, to capture moments that are unseen but deeply flet, often engaging the photographic medium as both a documentary and fictional device.

Sanna's oeuvre is marked by an insistence on slowness and duration—many of his series are developed over the span of several months or years, and involve rigorous processes of observation, collection, and sequencing. Working primarily with analog cameras and films, his prints and sculptural installations of accumulated photographs reflect a profound engagement with the materiality of memory and the ethics of looking. Through repetition, fragmentation, and formal restraint, Sanna creates spatial narratives that invite reflection as much as they resist resolution.

His ongoing project Mihavasoka noho ny masoandro (2013, present), photographed in the Nosy Be region of Madagascar, articulates a deeply personal yet elusive relationship to place, time, and cultural memory. In contrast to the detached gaze of ethnographic documentation, Sanna’s lens is imbued with a sense of intimacy and longing, what he has described as a "research of what is missing". This sensibility was present in his first work Boys Dream, a lyrical exploration of Morengy, a traditional Malagasy martial art, where the tension between strength and vulnerability becomes a meditation on masculinity and collective identity. In The Line, Sanna turns his gaze outward, tracing the spectral geography of the French Aéropostale through archival fragments and subjective mappings, questioning how modern mythologies are constructed and internalized.

Christian Sanna’s work has been exhibited and collected internationally. With an acute sensibility for the metaphysical potential of photography, he stands among a new generation of artists redefining the medium as a site for philosophical inquiry, emotional resonance, and critical poetics.

Education :

2013 - 2016 : BA, Grand Prize distinction, ETPA photography school, Toulouse, France.
2009 - 2012 : University Lumière Lyon 2, Lyon, France.

Selected solo exhibitions :

2021      Dear Embona, Fondation H Antananarivo, Madagascar.
2020      Letters to Embona, Fondation H Paris, France.
2018      Moraingy, Institut Français d’Antananarivo, Madagascar.

Selected group exhibitions :

2025      HOME ALMOST HOME, Flox Gallery, Antananarivo, Madagascar.
2024      Y SI MADRIR FUERA MI CASA, Sabrina Amrani Gallery, Madrid, Spain.
2023      LAMBA FOREVER MANDRAKIZAY" Hakanto Contemporary, Antananarivo, Madagascar.
2020     Welcome Home Vol.II, MACAAL, Marrakech, Morocco.
2019      ALMOST HOME, Galerie RX, Paris, France.
2018      The Way We Live Now, Aperture Gallery, New York, USA.
2017      Afrotopia, Les Rencontres de Bamako, African Photography Biennial, Bamako, Mali.
2017      Traversé(e)s, Résidence 1+2, Musée Paul Dupuis, Toulouse.
2016      Moraingy, Festival Manifesto, Toulouse.

Collections :

Fondation H, Antananarivo, Madagascar.
Hasnaine Yavarhoussen (private collection), Antananarivo, Madagascar.
Musée National du Mali, Mali, Bamako.

Residencies, Grants & Awards :

2018      Honorable mention LCC Program prize, Casablanca, Maroc.
2016      Grand Prix ETPA, Toulouse, France.

Press & Publications :

Chris Broughton, "My Best Shot" in The Guardian (Nov. 2023).
Roxana Azimi, "La scène artistique Malgache trouve de nouveaux mécènes” in L’hebdo du Quotidien de l’art (Mar. 2021).
Christian Sanna, “Photo Journal Monday: Christian Sanna” in Musée Magazine online at [https://museemagazine.com/culture/2021/1/4/photo-journal-monday-christian-sanna], (Jan. 2021).
Jeanne Mercier, “Lettres à Embona - Interview de Christian Sanna” in Afrique in Visu
at [https://www.afriqueinvisu.org/lettres-a-embona/], (Jan. 2021).
Christian Sanna, Chère Embona. Antananarivo: Fondation H, 2021.
Christian Sanna, Portfolio: Morengy” in Indigo Magazine n°4 (Apr. 2019).
Christian Sanna, Afrotopia in the catalog of 11th edition Rencontres de Bamako African Biennale of Photography, 2017.
Ariño, Moquin, Sanna, Traversé(e)s”. France: Éditions Filigranes & Résidence 1+2, 2017.
Eric Karsenty, “Sur les traces de l’Aéropostale” in Fisheye Magazine (Sep. 2017).